POETRY FOR THE TIMES

 

 

Artists for Peace, Civil Liberties and Justice

 

Poets Against War

 

Poets for Peace

 

Australian Poets Against the War

 

TruthOut editorial

 

 

 

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It Should Break Your Heart to Kill

"It is a condition of wisdom in the archer to be patient because
when the arrow leaves the bow, it returns no more."
     Ancient Arabic proverb.

It should break your heart to kill.
It should make you shake and sweat,
nightmare you, strand you out in a desert
of irrevocable desolation, the consequences
seared into the vein, no matter what adrenaline
feeds the muscle its courage, no matter
what god shines down on you, no matter
what crackling pain and anger
you carry in your fists, my friend,
it should break your heart to kill.
It should never be so easy as this.

---Brian Turner
Returned Iraq war veteran and poet.
Featured in the V
oices in Wartime Anthology.
info@voicesinwartime.org

 

Let America be America again

Let America be America again.
Let it be the dream it used to be.
Let it be the pioneer on the plain
Seeking a home where he himself is free.

(America never was America to me.)

Let America be the dream the dreamers dreamed--
Let it be that great strong land of love
Where never kings connive nor tyrants scheme
That any man be crushed by one above.

(It never was America to me.)

O, let my land be a land where Liberty
Is crowned with no false patriotic wreath,
But opportunity is real, and life is free,
Equality is in the air we breathe.

(There's never been equality for me,
Nor freedom in this "homeland of the free.")

Say, who are you that mumbles in the dark?
And who are you that draws your veil across the stars?

I am the poor white, fooled and pushed apart,
I am the Negro bearing slavery's scars.
I am the red man driven from the land,
I am the immigrant clutching the hope I seek--
And finding only the same old stupid plan
Of dog eat dog, of mighty crush the weak.

I am the young man, full of strength and hope,
Tangled in that ancient endless chain
Of profit, power, gain, of grab the land!
Of grab the gold! Of grab the ways of satisfying need!
Of work the men! Of take the pay!
Of owning everything for one's own greed!

I am the farmer, bondsman to the soil.
I am the worker sold to the machine.
I am the Negro, servant to you all.
I am the people, humble, hungry, mean--
Hungry yet today despite the dream.
Beaten yet today--O, Pioneers!
I am the man who never got ahead,
The poorest worker bartered through the years.

Yet I'm the one who dreamt our basic dream
In the Old World while still a serf of kings,
Who dreamt a dream so strong, so brave, so true,
That even yet its mighty daring sings
In every brick and stone, in every furrow turned
That's made America the land it has become.
O, I'm the man who sailed those early seas
In search of what I meant to be my home--
For I'm the one who left dark Ireland's shore,
And Poland's plain, and England's grassy lea,
And torn from Black Africa's strand I came
To build a "homeland of the free."

The free?

Who said the free?  Not me?
Surely not me?  The millions on relief today?
The millions shot down when we strike?
The millions who have nothing for our pay?
For all the dreams we've dreamed
And all the songs we've sung
And all the hopes we've held
And all the flags we've hung,
The millions who have nothing for our pay--
Except the dream that's almost dead today.

O, let America be America again--
The land that never has been yet--
And yet must be--the land where every man is free.
The land that's mine--the poor man's, Indian's, Negro's, ME--
Who made America,
Whose sweat and blood, whose faith and pain,
Whose hand at the foundry, whose plow in the rain,
Must bring back our mighty dream again.

Sure, call me any ugly name you choose--
The steel of freedom does not stain.
 From those who live like leeches on the people's lives,
We must take back our land again,
America!

O, yes,
I say it plain,
America never was America to me,
And yet I swear this oath--
America will be!

Out of the rack and ruin of our gangster death,
The rape and rot of graft, and stealth, and lies,
We, the people, must redeem
The land, the mines, the plants, the rivers.
The mountains and the endless plain--
All, all the stretch of these great green states--
And make America again!

---Langston Hughes
 

On the Lord General Fairfax at the Siege of Colchester

Fairfax, whose name in arms through Europe rings

Filling each mouth with envy, or with praise,

And all her jealous monarchs with amaze

And rumours loud, that daunt remotest kings;

Thy firm unshak'n virtue ever brings

Victory home, though new rebellions raise

Their hydra heads, and the false north displays

Her brok'n league, to imp their serpent wings:

O yet a nobler task awaits thy hand;

For what can war but endless war still breed?

Till Truth and Right from Violence be freed,

And Public Faith clear'd from the shameful brand

Of Public Fraud. In vain doth Valour bleed

While Avarice and Rapine share the land. 

--- John Milton (with shameless emphasis by a webmaster)

 

444

It feels a shame to be Alive—
When Men so brave—are dead—
One envies the Distinguished Dust—
Permitted—such a Head—

The Stone—that tells defending Whom
This Spartan put away
What little of Him we—possessed
In Pawn for Liberty—

The price is great—Sublimely paid—
Do we deserve—a Thing—
That lives—like Dollars—must be piled
Before we may obtain?

Are we that wait—sufficient worth—
That such Enormous Pearl
As life—dissolved be—for Us—
In Battle's—horrid Bowl?

It may be—a Renown to live—
I think the Man who die—
Those unsustained—Saviors—
Present Divinity—

---Emily Dickinson

Written in the pages at the end of a copy of a book 

containing Mark Twains War Prayer.

While I am rocking you my son,

And singing lullabies,

Someone is building stouter planes

For death to ride the skies,

While I am dressing you, my son

In little boyish suits,

Someone is making uniforms

And sturdy soldier boots,

While you are chasing

Butterflies

Amid the tangled grass,

Someone is testing chemicals

To make a deadlier gas.

And while you eat your simple fare

Perhaps the war lords sit,

To start again the bugle

Not(e)s

That only call the fit.

While I would build

a splendid man

So fine and strong, my son,

Someone, in secret, tries to make

A farther reaching gun.

A gun that on some distant

Day,

When drums of battle

Roll,

May leave me with a

Golden Star

And iron in my soul.

----Lucy Brice (unpublished)

 

They

The Bishop tells us: 'When the boys come back
'They will not be the same; for they'll have fought
'In a just cause: they lead the last attack
'On Anti-Christ; their comrades' blood has bought
'New right to breed an honourable race,
'They have challenged Death and dared him face to face.'

'We're none of us the same!' the boys reply.
'For George lost both his legs; and Bill's stone blind;
'Poor Jim's shot through the lungs and like to die;
'And Bert's gone syphilitic: you'll not find
'A chap who's served that hasn't found some change.
' And the Bishop said: 'The ways of God are strange!'

 

---Siegfried Sassoon

                           Dulce Et Decorum Est

Bent double, like old beggars under sacks,
Knock-kneed, coughing like hags, we cursed through sludge,
Till on the haunting flares we turned our backs
And towards our distant rest began to trudge.
Men marched asleep. Many had lost their boots
But limped on, blood-shod. All went lame; all blind;
Drunk with fatigue; deaf even to the hoots
Of tired, outstripped Five-Nines that dropped behind.

Gas! Gas! Quick, boys!-An ecstasy of fumbling,
Fitting the clumsy helmets just in time;
But someone still was yelling out and stumbling
And flound'ring like a man in fire or lime...
Dim, through the misty panes and thick green light,
As under a green sea, I saw him drowning.

In all my dreams, before my helpless sight,
He plunges at me, guttering, choking, drowning.

If in some smothering dreams you too could pace
Behind the wagon that we flung him in,
And watch the white eyes writhing in his face,
His hanging face, like a devil's sick of sin;
If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs,
Obscene as cancer, bitter as the cud
Of vile, incurable sores on innocent tongues,-
My friend, you would not tell with such high zest
To children ardent for some desperate glory,
The old Lie: Dulce et decorum est
Pro patria mori.

---Wilfred Owen

The Shield of Achilles
    She looked over his shoulder
       For vines and olive trees,
     Marble well-governed cities
       And ships upon untamed seas,
     But there on the shining metal
       His hands had put instead
     An artificial wilderness
       And a sky like lead.

A plain without a feature, bare and brown,
   No blade of grass, no sign of neighborhood,
Nothing to eat and nowhere to sit down, 
   Yet, congregated on its blankness, stood
   An unintelligible multitude,
A million eyes, a million boots in line, 
Without expression, waiting for a sign.

Out of the air a voice without a face
   Proved by statistics that some cause was just
In tones as dry and level as the place:
   No one was cheered and nothing was discussed;
   Column by column in a cloud of dust
They marched away enduring a belief
Whose logic brought them, somewhere else, to grief.

     She looked over his shoulder
       For ritual pieties,
     White flower-garlanded heifers,
       Libation and sacrifice,
     But there on the shining metal
       Where the altar should have been,
     She saw by his flickering forge-light
       Quite another scene.

Barbed wire enclosed an arbitrary spot
   Where bored officials lounged (one cracked a joke)
And sentries sweated for the day was hot:
   A crowd of ordinary decent folk
   Watched from without and neither moved nor spoke
As three pale figures were led forth and bound
To three posts driven upright in the ground.

The mass and majesty of this world, all
   That carries weight and always weighs the same
Lay in the hands of others; they were small
   And could not hope for help and no help came:
   What their foes like to do was done, their shame
Was all the worst could wish; they lost their pride
And died as men before their bodies died.

     She looked over his shoulder
       For athletes at their games,
     Men and women in a dance
       Moving their sweet limbs
     Quick, quick, to music,
       But there on the shining shield
     His hands had set no dancing-floor
       But a weed-choked field.

A ragged urchin, aimless and alone, 
   Loitered about that vacancy; a bird
Flew up to safety from his well-aimed stone:
   That girls are raped, that two boys knife a third,
   Were axioms to him, who'd never heard
Of any world where promises were kept,
Or one could weep because another wept.

     The thin-lipped armorer,
       Hephaestos, hobbled away,
     Thetis of the shining breasts
       Cried out in dismay
     At what the god had wrought
       To please her son, the strong
     Iron-hearted man-slaying Achilles
       Who would not live long.

 

---W.H. Auden

 

i sing of Olaf glad and big

i sing of Olaf glad and big 

whose warmest heart recoiled at war: 

a conscientious object-or 

his wellbelov'd colonel(trig 

westpointer most succinctly bred) 

took erring Olaf soon in hand; 

but--though an host of overjoyed 

noncoms(first knocking on the head 

him)do through icy waters roll 

that helplessness which others stroke 

with brushes recently employed 

anent this muddy toiletbowl, 

while kindred intellects evoke 

allegiance per blunt instruments-- 

Olaf(being to all intents 

a corpse and wanting any rag 

upon what God unto him gave) 

responds,without getting annoyed 

"I will not kiss your fucking flag" 

 

straightway the silver bird looked grave 

(departing hurriedly to shave) 

 

but--though all kinds of officers 

(a yearning nation's blueeyed pride) 

their passive prey did kick and curse 

until for wear their clarion 

voices and boots were much the worse, 

and egged the firstclassprivates on 

his rectum wickedly to tease 

by means of skilfully applied 

bayonets roasted hot with heat-- 

Olaf(upon what were once knees) 

does almost ceaselessly repeat 

"there is some shit I will not eat" 

 

our president,being of which 

assertions duly notified 

threw the yellowsonofabitch 

into a dungeon,where he died 

 

Christ(of His mercy infinite)

i pray to see;and Olaf,too 

preponderatingly because 

unless statistics lie he was 

more brave than me:more blond than you.

---e. e. cummings 

How to Kill 

Under the parabola of a ball,
a child turning into a man,
I looked into the air too long.
The ball fell in my hand, it sang
in the closed fist: Open Open
Behold a gift designed to kill.

Now in my dial of glass appears
the soldier who is going to die.
He smiles, and moves about in ways
his mother knows, habits of his.
The wires touch his face: I cry
Now. Death, like a familiar, hears

and look, has made a man of dust
of a man of flesh. This sorcery
I do. Being damned, I am amused
to see the centre of love diffused
and the waves of love travel into vacancy.
How easy it is to make a ghost.

The weightless mosquito touches
Her tiny shadow on the stone,
and with how like, how infinite
a lightness, man and shadow meet.
They fuse. A shadow is a man
when the mosquito death approaches.

---Keith Douglas

On Being Asked to Write a Poem Against the War in Vietnam

Well I have and in fact
more than one and I'll
tell you this too

I wrote one against
Algeria that nightmare
and another against

Korea and another
against the one
I was in

and I don't remember
how many against
the three

when I was a boy
Abyssinia Spain and
Harlan County

and not one
breath was restored
to one

shattered throat
mans womans or childs
not one not

one
but death went on and on
never looking aside

except now and then
with a furtive half-smile
to make sure I was noticing.

                        ---Hayden Carruth, from Alicia Ostriker, ed., Poems for the Time: an anthology. (from www.mobylives.com)


                       Conversation

He says, "You've never seen anything
unless you've seen a man hit in the chest
with an RPG round."

I said, "I guess not," and drank on
into the heavy Asian night, weighted and packed.

I thought how many times you could say,
"You've never seen anything unless you've
seen..." and then go on, just fill in
the blanks...

an F-4 Phantom drop napalm along a tree-line
an illumination round light up the perimeter
as night probes catch in the outer defenses
body bags lined up at the edge of the pad,
rotors rippling the plastic as they descend

And I said, long after that night, after I'd felt their
names carved in that stone, "You've never seen anything...
anything... anything..."

---Dale Ritterbusch, in Viet Nam Generation Journal Online
Volume 5, Numbers 1-4

 

Dann gibt es nur eins!

Du. Mann an der Maschine und Mann in der Werkstatt. Wenn sie dir morgen befehlen, 

du sollst keine Wasserrohre und keine Kochtöpfe mehr machen - sondern Stahlhelme und Maschinengewehre, dann gibt es nur eins:
Sag NEIN!
Du. Mädchen hinterm Ladentisch und Mädchen im Büro. Wenn sie dir morgen befehlen, du sollst Granaten füllen und Zielfernrohre für Scharfschützengewehre montieren, dann gibt es nur eins:
Sag NEIN!
Du. Besitzer der Fabrik. Wenn sie dir morgen befehlen, du sollst statt Puder und Kakao Schießpulver verkaufen, dann gibt es nur eins:
Sag NEIN!
Du. Forscher im Laboratorium. Wenn sie dir morgen befehlen, du sollst einen neuen Tod erfinden gegen das alte Leben, dann gibt es nur eins:
Sag NEIN!
Du. Dichter in deiner Stube. Wenn sie dir morgen befehlen, du sollst keine Liebeslieder, du sollst Haßlieder singen, dann gibt es nur eins:
Sag NEIN!
Du. Arzt am Krankenbett. Wenn sie dir morgen befehlen, du sollst die Männer kriegstauglich schreiben, dann gibt es nur eins:
Sag NEIN!
Du. Pfarrer auf der Kanzel. Wenn sie dir morgen befehlen, du sollst den Mord segnen und den Krieg heilig sprechen, dann gibt es nur eins:
Sag NEIN!
Du. Käpten auf dem Dampfer. Wenn sie dir morgen befehlen, du sollst keinen Weizen mehr fahren - sondern Kanonen und Panzer, dann gibt es nur eins:
Sag NEIN!
Du. Pilot auf dem Flugfeld. Wenn sie dir morgen befehlen, du sollst Bomben und Phosphor über die Städte tragen, dann gibt es nur eins:
Sag NEIN!
Du. Schneider auf deinem Brett. Wenn sie dir morgen befehlen, du sollst Uniformen schneidern, dann gibt es nur eins:
Sag NEIN!
Du. Richter im Talar. Wenn sie dir morgen befehlen, du sollst zum Kriegsgericht gehen, dann gibt es nur eins:
Sag NEIN!
Du. Mann auf dem Bahnhof. Wenn sie dir morgen befehlen, du sollst das Signal zur Abfahrt geben für den Munitionszug und für den Truppentransport,dann gibt es nur eins:
Sag NEIN!
Du. Mann auf dem Dorf und Mann in der Stadt. Wenn sie morgen kommen und dir den Gestellungsbefehl bringen, dann gibt es nur eins:
Sag NEIN!
Du, Mutter in der Normandie und Mutter in der Ukraine, du, Mutter in Frisko und London, du, am Hoangho und am Mississippi, du, Mutter in Neapel und Hamburg und Kairo und Oslo - Mütter in allen Erdteilen, Mütter in der Welt, wenn sie dir morgen befehlen, ihr sollst Kinder gebären, Krankenschwestern für Kriegslazarette und neue Soldaten für neue Schlachten, Mütter in der Welt, dann gibt es nur eins:
Sagt NEIN! Mütter, s a g t N E I N !

Just One Thing To Do

You. Man at the machine and man on the shop floor. If tomorrow they tell you to stop making drainpipes and cook pots, and start making helmets and machine guns, there's just one thing to do:
Say NO!
You. Girl behind the counter and girl in the office. If tomorrow they tell you to go fill grenades and mount scopes onto sniper's rifles, there's just one thing to do:
Say NO!
You. Factory owner. If tomorrow they tell you to start milling gunpowder, not cocoa and cosmetics, there's just one thing to do:
Say NO!
You. Researcher in the lab. If tomorrow they tell you to invent a new death to counter old life, there's just one thing to do:
Say NO!
You. Poet in your room. If tomorrow they tell you to sing only hate-songs not love-songs, there's just one thing to do:
Say NO!
You. Physician at the bedside. If tomorrow they tell you to certify men fit for combat, there's just one thing to do:
Say NO!
You. Pastor in the pulpit. If tomorrow they tell you to sanctify murder and call warfare holy, there's just one thing to do:
Say NO!
You. Captain on your steamship. If tomorrow they tell you to offload your wheat and take on tanks and canon, there's just one thing to do:
Say NO!
You. Pilot at the airfield. If tomorrow they tell you to carry explosives and firebombs over cities, there's just one thing to do:
Say NO!
You. Tailor on your dias. If tomorrow they tell you to start sewing uniforms, there's just one thing to do:
Say NO!
You. Judge in your robes. If tomorrow they tell you "report to the courtmartial hearing," there's just one thing to do:
Say NO!
You. Man at the railway station. If tomorrow they tell you to signal the munitions train and the troop transport clear to depart, there's just one thing to do:
Say NO!
You. Man in the village and man in the city. If tomorrow they come bringing you your induction notice, there's just one thing to do:
Say NO!
You. Mothers in Normandy and mothers in the Ukraine, mothers in 'Frisco, and London, on the banks of the Huang Ho and the banks of the Mississippi, you, mothers in Nepal and in Hamburg, in Cairo and Oslo--mothers in every region, mothers all over the world, if they order you tomorrow to bear children: future nurses in hospital wards for the wounded, and new soldierboys for their battles, mothers all over the world, there's just one thing to do:
Say NO! Mothers, say NO!

-- Unpublished translation by Lane Jennings

---Wolfgang Borchert, "Dann gibt es nur eins!" aus Wolfgang Borchert, Das Gesamtwerk, Copyright © 1949 by Rowohlt Verlag GmbH, Hamburg

 

The Prison Cell


It is possible
It is possible at least sometimes
It is possible especially now
To ride a horse
Inside a prison cell
And run away

It is possible for prison walls
To disappear,
For the cell to become a distant land
Without frontiers:

-What did you do with the walls?
-I gave them back to the rocks.
-And what did you do with the ceiling?
-I turned it into a saddle
-And your chain?
-I turned it into a pencil.

The prison guard got angry.
He put an end to the dialogue.
He said he didn't care for poetry,
And bolted the door of my cell.

He came back to see me
In the morning;
He shouted at me:

-Where did all this water come from?
-I brought it from the Nile.
-And the trees?
-From the orchards of Damascus.
-And the music?
-From my heartbeat.

The prison guard got mad.
He put an end to my dialogue.
He said he didn't like my poetry,
And bolted the door of my cell.

But he returned in the evening:

-Where did this moon come from?
-From the nights of Baghdad.
-And the wine?
-From the wineyards of Algiers.
-And this freedom?
-From the chain you tied me with last night.

The prison guard grew sad.
He begged me to give him back
His freedom.

---Mahmud Darwish 

 

 

Just This Once

President Bush, before you order airstrikes

imagine the first cruise

missile as a direct hit on your closest friend.

 

That might be Laura.  Then twenty-five other

family and friends.

There are no survivors.  Now imagine some

 

other way to do it.  Quadruple the inspectors.

Put a thousand and one

U.N. people in.  Then call for peace activists

 

to volunteer to go to Iraq for two weeks each. 

Flood that country with

well-meaning tourists, people curious about

 

the land that produced the great saints, Gilani,

Hallaj, and Rabia.

Set up hostels near those tombs.  Encourage peace

 

people to spend a bunch of money in shops, to

bring rugs home and samovars

by the bushel.  Send an Arabic translator with

 

every four activists.  The U.S. Government will pay

for the translators and for

building and staffing the hostels, one hostel for

 

every twenty visitors and five translators.  Central

air and heat are state of the art,

and the hostels belong to the Iraqis at the end

 

of this experiment.  Pilgrims with carpentry skills

will add studios, porches,

armadas, meditation cribs on the roof, clerestories,

 

and lots of subtle color.  Jimmy Carter, Nelson

Mandala, and my friend,

Johathan Granoff at the U.N. will be the core

 

organizational team.  Abdul Aziz Said too has

got to be in on this, who

grew up in a Bedouin tent four hundred miles

 

east of Damascus.   He didn’t see a table until

he was fourteen!  Shamans

from various traditions, Martin Prechtal, Bly,

 

and many powerful women, Sima Samar,

Shirley, surely.  I offer

these exalted expertises without having asked

 

anyone.  No one knows what might come of such

potlatch, potluck.  Maybe

nothing, or maybe it would show some Iraqis

 

and some of the world that we really do not wish

to kill anybody and that

we truly are not out to appropriate oil reserves.

 

We’re working on building a hydrogen vehicle

as fast as we can, aren’t we?

Put no limit on the number of activists from all

 

over that might want to hang out and explore Iraq

for two weeks.  Is anything

left of Babylon?  There could be informal courses

 

for college credit and pickup soccer games every

evening at five.  Long

leisurely late suppers.  Chefs will come for cookouts.

 

The U.S. government furnishes air transportation,

that is, hires airliners from

the country of origin and back for each peace tourist,

 

who must carry and spend the equivalent of $1001

US inside Iraq.  Keep part

of the invasion force nearby as police, but let those

 

who claim to deeply detest war try something else

just this once, for one year.

Call our bluff.  If this madman Saddam’s WMD threat

 

is not, somehow, eliminated by next February,

you can go in with special ops

and do it that way.  Medical services, transportation

 

inside Iraq, along with many other ideas that

will be thought of later

during the course of this innocently, blatantly,

 

foolish project will all also be funded by the U.S.

government.  But what if

terrible, unforeseen disaster rains down

 

because of the spontaneous, unthought-out

hippie notion?  One

never knows.  Surely it wouldn’t be worse than

 

the shock and awe display we have planned for

the first forty-eight hours.

But we must always suspect intentionally

 

“good” deeds.  Consider this more of a lark.

A skylark.  Look.  There’s

a practice known as sama, a deep listening

 

to poetry and music, with sometimes movement

involved.   Unpremeditated

ease.  We could experiment with whole nights

 

of that, staying up until dawn, sleeping in tents

during the day.  Good

musicians will be lured with modest fees:  cellos,

 

banjoes, oboes, ouds, and French horns.  Hundreds

of harmonicae and the entire

University of North Carolina undergraduate gospel

 

choir.  Thus instead of war there’s much relaxed,

improvisational festivity from

March 2003 through February 2004.  It could be

 

As though war had already happened, as it has.

Now we’re in the giddy,

Brokenopen aftertime.  So let slip the pastel

 

minivans of  peace and whoa be they who cry

surcease!  I’ll be first

to sign up for two weeks of wandering winter

 

desert reading Hallaj, Abdul Qadir Gilani, dear

Rabia, and Scherazade’s

life-prolonging thousand and one Arabian Nights.

 

I am Coleman Barks, retired English professor,

ee-meritus, living in Athens,

Georgia, and I don’t really consider this proposal

 

foolish.  Just hopeful for the bunch I come

along with, those born

from the mid-1920’s until the mid-1940’s,

 

that before we die or lose our luck and energy,

we might help push away

from terrorism and cruise-missile terrorism

 

and the video-techno-laser, loveless, unerotic-

idiotic, bio-chemo atom-

toys.  Nossir, ain’t gone study war no more.

 

Never denying we have the tendencies built-in,

a cold murderous aggression,

the who-cares-it’s-all-bullshit-anyway turning

 

from those so obviously in pain.  March 19,

2003, and I’m not quite

yet weary enough of words not to try

 

to say the taste of this failure we sponsor

with our tax dollars.

But after the stupidity starts I might be.

 ---Coleman Barks, reading

 

Your favorite anti-war or peace poem here. 

LINKS

Poets Against The War  Anthologies from around the world
100 POETS AGAINST THE WAR REDUX
: (PDF)

War Poems and Manuscripts---Wilfred Owen

60's Project Bookstore: Vietnam Era Antiwar Literature including Poetry.

Against Forgetting, Twentieth Century Poetry of Witness (Edited by Carolyn Forché)

"the rest is silence" Lost Poets of the Great War; Wilfred Owen Digital Archive

A Peace Pledge Union Project---20th Century Poetry and War

Representative Poets Online---A project of the English Department, University of Toronto